Music Theoryafter A. Danhauser
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B.3Supplement B, Chords

Seventh Chords

You're going to discover the types of seventh chords, the degrees they sit on in major and in minor, and the chord symbols musicians use for them today.

10 min7 questionsDanhauser § 297

Let's add one more third on top of each triad. On every degree, you now get a four-note chord, also called a seventh chord, because its top note forms a seventh with the root (§ 297).

TypeStructureNameMajorMinorChord symbol (example)
1stmajor triad and minor 7thdominant seventhVVG7
2ndminor triad and minor 7thminor seventhii, iii, viivDm7
3rddiminished triad and minor 7thhalf-diminished seventh (minor seventh with diminished fifth)viiiiBm7b5 or Bø
4thmajor triad and major 7thmajor seventhI, IVVICmaj7 or CΔ
diminished triad and diminished 7thdiminished seventhnoneviiB°7 or Bdim7
minor triad and major 7thminor-major seventh (chord on degree 1 in minor)noneiAmM7 or Am(maj7)
augmented triad and major 7thaugmented major seventh (chord on degree 3 in minor)noneIIIC+maj7
Seventh chords in both modes.
Sheet MusicImaj7ii7iii7IVmaj7V7vi7viiø
Seventh chords on the degrees of C major.
Sheet MusiciM7iiøIII+M7iv7V7VIM7vii°7
Seventh chords on the degrees of A harmonic minor: each degree carries a different type.
Sheet MusicV7V6/5V4/3V4/2
Listen to the dominant seventh of C in its four positions, then the last one resolving to the tonic chord, with E in the bass.
WorkshopChordsFull screen
Listen and compare the seven colors of seventh chords.
Tonic
Mode
Chords
Inversion
ICiiDmiiiEmIVFVGviAmvii°B°
DegreeNotesQualitySymbol
I · tonicC E Gmajor triadC
ii · supertonicD F Aminor triadDm
iii · mediantE G Bminor triadEm
IV · subdominantF A Cmajor triadF
V · dominantG B Dmajor triadG
vi · submediantA C Eminor triadAm
vii° · leading toneB D Fdiminished triadB°

Position : 5/3 (root position).

Exercisein the method's spirit

Name the keys and degrees the following seventh chords, in root position, can belong to: a) D, F#, A, C   b) B, D, F, A   c) D#, F#, A, C   d) E-flat, G, B-flat, D.

That completes our tour of chords. In the next lesson, we leave harmony for the orchestra and look at the range of each instrument. First, a few questions to check what you've learned.

Check your understanding

7 questions
1.
The chord G, B, D, F is:
2.
On which degree of the minor mode do you find the diminished seventh?
3.
The chord D, F, A, C matches the symbol:
4.
Which type sits on degrees 1 and 4 in major?
5.
What is this chord?
6.
In C, which note is in the bass of the dominant seventh in third inversion?
7.
The progression Dm7, G7, Cmaj7 corresponds to the degrees:

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